Silvia Bächli
They’ve Turned into Each Other. Which Is Which?
25 May – 18 August 2024 | Beim Stadthaus
My work entails approaching something that I don’t know well and finding out about it by doing.
Silvia Bächli
Silvia Bächli, born in 1956 in Baden, Switzerland, and now based in Basel, has developed her drawing oeuvre since the late 1970s in a manner that is both cautious and consistent. Her expressive approach to physicality developed over time to an almost introspective view of reality. Everyday perception forms the starting point of Bächli’s artistic process during which the artist appropriates things, so to speak, to give them an autonomous form in drawing. Starting in 1984, Bächli began combining small-format drawings into Ensembles, multipart wall compositions. Since 2001 she created large-format paper works with overlapping, filigree lineaments; in recent years she has become more prudent about the relationship between the areas of color and the background.
Bächli’s quiet work is now appreciated all over the world and has been exhibited in important museums such as the Musée d’art moderne et contemporain in Geneva (2006), Centre Pompidou in Paris (2007), the Staatliche Graphische Sammlung in Munich (2014), the Museum Weserburg in Bremen (2022), and the Centro Botin in Santander (2024). In 2009 she represented Switzerland at the fifty-third Venice Biennale.
The exhibition in Winterthur, entitled They’ve Turned into Each Other. Which Is Which? after a line in a poem by American poet Elizabeth Bishop, takes works from the series Lidschlag (Blink of an Eye) as its starting point and offers a comprehensive overview of Bächli’s multifaceted oeuvre, with a series of small sculptures that she is presenting in Switzerland for the first time.
A picture book conceived by Bächli, including her photographs of the exhibition, will be published in conjunction with this show.
Curators: Konrad Bitterli, David Schmidhauser
11.03.2026
18:00 - 19:00
Claire Fontaine | Artist Talk (in English) @ ZHdK Talk with the Artist
This event will take place at the Zürcher Hochschule der Künste (ZHdK):
Room 7K01, Toni Areal, Pfingstweidstrasse 96, 8005 Zürich
The allusive work of Claire Fontaine draws on the readymade principle of appropriating everyday objects and recontextualising them in an artistic context. Claire Fontaine is constantly expanding this principle in an experimental manner. In a lecture, Fulvia Carnevale provides insight into her working principles and her inspirations from art theory, political theory, philosophy and strategies of resistance.
This event is public and is being held in collaboration with the Department Fine Arts ZHdK.
15.03.2026
13:00 - 14:00
Jack Goldstein | Expert Tour (in English) Führung mit Lynn KostBeim Stadthaus
Public tour with Goldstein expert Alexander Dumbadze*, curator Lynn Kost, Lionel Bovier (Director of MAMCO, Geneva) and Jochen Kienzle (Kienzle Art Foundation, Berlin).
*Author of the recently published book Jack Goldstein. All Day Night Sky
14.04.2026
18:30 - 19:30
Jack Goldstein | Tour & Film Screening (in English) TourBeim Stadthaus
16 mm film screening of Reel of Ten by Jack Goldstein and public guided tour with Lynn Kost and Lionel Bovier (Director of MAMCO, Geneva).
21.05.2026
18:00 - 20:00
Claire Fontaine | Reading Circle (in English) Talk with the ArtistReinhart am Stadtgarten
Reading and discussing texts on philosophy, art theory and literature is one of Claire Fontaine’s favourite activities and is clearly reflected in their works. In order to share the collective’s background and interests directly with the exhibition audience, they have developed the event format of joint reading evenings. Fulvia Carnevale defines a theme and selects a few passages from texts, which are read aloud to the group and discussed immediately afterwards. Everyone is welcome to participate.
The topic and texts to be read will be announced on our website and social media channels in early May 2026.
Interested visitors can register and prepare text passages or participate spontaneously in the event.
In the presence of Fulvia Carnevale and in collaboration with the Department Fine Arts ZHdK.
With kind support










